Thursday, September 17, 2026
The Moving Arts Film Journal

February 2012

7 articles

Essays

Contest: Win ‘Being Flynn’ tickets, soundtrack, book!

Contest: Win ‘Being Flynn’ tickets, soundtrack, book!

More free stuff! All right, here’s the deal. The Moving Arts has teamed up with Focus Features again, this time to offer you the chance to win a prize pack in advance of the upcoming release of...

Feb 27, 2012 / Eric M. Armstrong
Features

‘The Leopard’: novel, opera, but above all, film

‘The Leopard’: novel, opera, but above all, film

Luchino Visconti’s The Leopard ( Il Gattopardo ) was made in 1963, but is set just over a century earlier, during the Risorgimento, when Garibaldi fought for Italy to be united into one kingdom, free...

Feb 27, 2012 / Alison Frank
Essays

‘The Descendants’: A loving portrait of the 1 percent

‘The Descendants’: A loving portrait of the 1 percent

Ben Stiller’s 2001 male modeling comedy “Zoolander” was released just a few weeks after 9/11. It didn’t do well. The consensus was that a contemplative America wasn’t interested in such aggressive...

Feb 25, 2012 / Scott Armstrong
Below the Line

We’ll always have ‘Casablanca’

We’ll always have ‘Casablanca’

Judging from a conversation I overheard before the start of the screening, it seems that there will always be people who haven’t seen Casablanca (1942). ‘I can’t believe you guys have never seen it,’...

Feb 20, 2012 / Alison Frank
Blogs

‘Carnage’ slaughters dialogue with theatrics

‘Carnage’ slaughters dialogue with theatrics

Two of cinema’s key advantages as a medium are its mastery of space and time, and its impression of reality. These two traits are not necessarily related: after all, in reality we often find...

Feb 14, 2012 / Alison Frank
Features

‘The Artist’: More of the same

‘The Artist’: More of the same

I’m getting a little tired of seeing Jean Dujardin’s face. That I can say this about an actor I like so much reflects the degree of media saturation surrounding The Artist . For most of January, the...

Feb 7, 2012 / Alison Frank
Essays

Nuance, subtext and poetry: A defense of ‘The Village’

Nuance, subtext and poetry: A defense of ‘The Village’

Bryce Dallas Howard in "The Village" I feel sorry for M. Night Shyamalan. After “The Last Airbender” debacle and the graceless marketing scheme for “The Happening” as his first rated-R film, M. Night...

Feb 5, 2012 / Vanessa Graniello
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