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No: Too Good at Recreating the 80s
In 1988, Chile held a referendum to decide whether dictator Augusto Pinochet should stay in power. For one month, both sides could express their views in daily 15-minute TV slots. Pablo Larraín’s new...
Feb 7, 2013 / Alison Frank‘Lincoln’ leads 2013 Oscar race with 12 noms
Steven Spielberg’s period drama about Abraham Lincoln’s noble quest to emancipate the slaves looms largest in the 2013 Oscar picture with 12 nominations. The Academy of Motion Picture Arts and...
Jan 10, 2013 / Eric M. Armstrong‘Argo’ takes top honors at the 16th Annual OFCS Awards
The Online Film Critics Society has announced the winners of its 16th annual movie awards. The winners in each category are listed below: Best Picture “Argo” Best Director Paul Thomas Anderson (“The...
Jan 8, 2013 / Eric M. ArmstrongObscure Objects of Desire: Surrealism, Fetishism and Politics
Was the surrealist ambition to revolutionise consciousness a natural fit with revolutionary politics? The relationship between art and politics has historically been problematic: witness the sterile,...
Jan 7, 2013 / Alison FrankLawrence of Arabia: Deserving of its Place in the Sun
This year marked the 50 th anniversary of David Lean’s Lawrence of Arabia . To mark the occasion, a digitally restored edition was released, and I had a chance to see it on the Empire Leicester...
Dec 31, 2012 / Alison FrankTop 10 of 2012
As we reach the end of an inspiring year for cinema, here are ten titles that stood out for me in 2012, and an explanation of why I chose each of them. Although I saw many of these at film festivals,...
Dec 24, 2012 / Alison FrankSound of My Voice (2012)
Sometimes, maybe most of the time, ambiguous endings are cop-outs. The crime isn’t in subverting audience expectations—who wants movies without surprises?—but in betraying the stories themselves....
Nov 30, 2012 / Scott Armstrong2012 Beneath the Earth Film Fest opens, selects TMA critic as Grand Juror
The 2012 Beneath the Earth Film Festival kicked off with an international selection of independent films Thursday. This year’s official selection, which includes films from the US, Taiwan, Germany...
Nov 6, 2012 / StaffThe Master (2012)
Paul Thomas Anderson has a taste for the epic. It was always there, from the sprawling spectacle of “Boogie Nights” (1997) to the experimental spider web narrative of “Magnolia” (1999) and the...
Nov 5, 2012 / Eric M. ArmstrongDisney buys Lucasfilm for $4 billion, plans ‘Star Wars 7’ for 2015
George Lucas, pen in hand, poses with Disney CEO Bog Iger before finalizing the historic deal (Photo: Rick Rowell, AP) Burbank, CA – The Walt Disney Company agreed Tuesday to acquire Lucasfilm Ltd....
Oct 31, 2012 / Staff‘Village at the End of the World’: Help Wanted?
“Village at the End of the World,” a documentary set in Greenland, presents some interesting similarities with “Eat Sleep Die,” the last film I reviewed. Both revolve around unemployment, and the...
Oct 22, 2012 / Alison Frank‘Eat Sleep Die’: Asking for a little more
“Eat Sleep Die” (“Äta sova dö,” dir. Gabriela Pichler), treats a topic of central concern in this time of financial crisis: unemployment. Set in a village in Sweden, the film revolves around...
Oct 21, 2012 / Alison FrankFrom Senegal to Saudi Arabia: Girls working for change
“Wadjda” (Haifaa Al Mansour, 2012) and “Tall as the Baobab Tree” (“Grand comme le Baobab,” Jeremy Teicher, 2012) are set in far distant countries: the first in Saudi Arabia, the second in Senegal....
Oct 19, 2012 / Alison Frank‘To Rome With Love’: Unfairly Underrated
Audiences and critics alike seem to have a soft spot for nostalgia of late: witness the superlative praise lavished on “The Artist” (2011), which did little more than copy silent films of the past....
Oct 17, 2012 / Alison FrankBFI London Film Festival: Opening Reviews
The BFI London Film Festival 2012 starts tomorrow, and if you haven’t bought tickets yet, it’s not too late. There are still tickets left for many films, including the ones reviewed here. While...
Oct 9, 2012 / Alison FrankRecent Articles
- Review: ‘A War’ explores war’s quiet, forgotten horrors
- TMA FilmCast #33 — Vera Chytilova and the Czech New Wave
- The fantasist: The comic art of Woody Allen
- Tribeca picks up North American rights to ‘Misery Loves Comedy’ at Sundance
- TMA FilmCast #32 — Alison Frank interviews Ana Geislerova
- ‘Grand Budapest Hotel’ tops Online Film Critics Awards
- TMA FilmCast #31 — Alison Frank reports from 67th Locarno Film Fest
- 5 ½ hour film dominates awards at Locarno
- Shorts at #Locarno67: meditation vs testing the audience’s patience
- ‘The Fool’: A modern propaganda film
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