Thursday, September 17, 2026
The Moving Arts Film Journal

Tag: Inglourious Basterds

6 articles

Essays

Interview: Hal Hartley

Interview: Hal Hartley

Hal Hartley, one of the most prolific American independent directors, has recently released a collection of films titled “Possible Films Volume 2.” Hartley’s career dates back to the 1980s, when he...

Jun 21, 2010 / Angelos Koutsourakis
Lists

How ‘The White Ribbon’ Fits Into Michael Haneke’s Moralizing Cinematic Vision

How ‘The White Ribbon’ Fits Into Michael Haneke’s Moralizing Cinematic Vision

The first images of Michael Haneke’s “The White Ribbon,” a film shot in a delicately lambent palette suggestive of old gelatin silver prints, is of a shrub-ringed meadow, a horse and rider...

May 8, 2010 / Jesse Cataldo
Action/Adventure

Fritz Lang’s ‘Metropolis’ Coming to a Big Screen Near You

Fritz Lang’s ‘Metropolis’ Coming to a Big Screen Near You

Kino International announced Monday that Fritz Lang’s 1927 masterpiece, “Metropolis,” will be released theatrically in “all major markets throughout the US and Canada” in May. The version to be...

Apr 8, 2010 / Eric M. Armstrong
Features

Food, Inc. (2009)

Food, Inc. (2009)

Food and film have long been allies in the quest to appease the insatiable human appetite for sensory gratification. That conspiratorial bond has contributed much to America’s culture of euthanasia...

Sep 19, 2009 / Eric M. Armstrong
Features

‘Green Hornet’ Casting Call Uncovered for Kato Role

‘Green Hornet’ Casting Call Uncovered for Kato Role

Excitement has reached a fever pitch in some circles with talented director Michel Gondry (“The Science of Sleep,” “Eternal Sunshine of the Spotless Mind”) and prominent funnyman Seth Rogen both on...

Jul 12, 2009 / Eric M. Armstrong
Features

Eternal Sunshine of the Spotless Mind (2004)

How happy is the blameless vestal’s lot! The world forgetting, by the world forgot. Eternal sunshine of the spotless mind! Each pray’r accepted, and each wish resign’d. Labour and rest, that equal...

Sep 23, 2008 / Eric M. Armstrong
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