6 articles

Sometimes, maybe most of the time, ambiguous endings are cop-outs. The crime isn’t in subverting audience expectations—who wants movies without surprises?—but in betraying the stories themselves....
Nov 30, 2012 / Scott Armstrong
Ben Stiller’s 2001 male modeling comedy “Zoolander” was released just a few weeks after 9/11. It didn’t do well. The consensus was that a contemplative America wasn’t interested in such aggressive...
Feb 25, 2012 / Scott Armstrong
This is a tipping point movie. Through some pretty good work on some pretty good films, Tim Burton and Johnny Depp were able to build a deep reservoir of goodwill that saw them through some...
Mar 15, 2010 / Scott Armstrong
Above all else, “Taken” painfully hammers home the fact that nothing can make up for a bad script. Especially when the script is not just bad, but painfully bad. Astronomically bad. Attempting to...
Mar 20, 2009 / Scott ArmstrongThe dichotomy is familiar. On one hand we have the bloated studio movies packed with special effects and propped up with multi-million dollar marketing budgets. In the smaller, less publicized corner...
Feb 13, 2009 / Scott Armstrong
On the surface, John Patrick Shanley’s “Doubt”–adapted from his own Pulitzer Prize-winning play–seems to explore, with a reluctance to definitively reveal, whether or not a Catholic priest molests a...
Jan 21, 2009 / Scott Armstrong


